{"id":2152,"date":"2022-02-07T15:55:48","date_gmt":"2022-02-07T15:55:48","guid":{"rendered":"https:\/\/www.aapvdb.org\/?p=2152"},"modified":"2024-02-15T14:26:54","modified_gmt":"2024-02-15T14:26:54","slug":"project-room-6","status":"publish","type":"post","link":"https:\/\/www.aapvdb.org\/en\/project-room-6\/","title":{"rendered":"PROJECT ROOM #6 Claudia Losi"},"content":{"rendered":"<p>[vc_row][vc_column][vc_row_inner][\/vc_row_inner][vc_column_inner][\/vc_column_inner][vc_column_text css=&#8221;.vc_custom_1651838509816{margin-top: -40px !important;}&#8221;]<\/p>\n<p style=\"text-align: right;\"><i class=\"fas fa-folder-open fa-2x\"><\/i> Press kit<\/p>\n<p>[vc_row][vc_column][vc_single_image image=&#8221;2157&#8243; img_size=&#8221;full&#8221;][vc_column_text]<br \/>\n07.02.2022 &#8211; 07.05.2022<\/p>\n<p>Claudia Losi, insieme a Emiliano Biondelli, ha iniziato la sua ricerca in archivio a partire da una serie di opere di Pharaildis Van den Broeck del 2013, delle tele che raffigurano cipolle. L\u2019intervento \u00e8 una <strong>riflessione sul concetto di bandiera<\/strong>, elemento scultoreo mutevole e permeabile allo spazio ma anche insegna di un gruppo di persone raccolte per svolgere un\u2019azione concorde. Il vessillo ricorda <strong>anche una vela che trasporta i visitatori in un viaggio metaforico<\/strong> all\u2019interno del mondo intimo di Pharaildis Van den Broeck. L\u2019archivio diventa un luogo di passaggio in cui si materializzano i simboli di un rito di cura, le narrazioni e i desideri dell\u2019artista a cui lo spazio \u00e8 dedicato.[\/vc_column_text][vc_media_grid element_width=&#8221;3&#8243; item=&#8221;mediaGrid_FadeInWithIcon&#8221; grid_id=&#8221;vc_gid:1651838490833-b38c6d61-9d3f-0&#8243; include=&#8221;2191,2160,2196,2158,2190,2194,2195,2162,2192,2197,2161,2193&#8243;][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>07.02.2022 &#8211; 05.07.2022<a class=\"more-link\" href=\"https:\/\/www.aapvdb.org\/en\/project-room-6\/\">Read More &rarr;<\/a><\/p>\n","protected":false},"author":2,"featured_media":2159,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_vp_format_video_url":"","_vp_image_focal_point":[],"footnotes":""},"categories":[14,3],"tags":[],"class_list":["entry","author-b_garatti","has-excerpt","post-2152","post","type-post","status-publish","format-standard","has-post-thumbnail","category-news","category-projectrooms"],"translation":{"provider":"WPGlobus","version":"3.0.6","language":"en","enabled_languages":["it","en"],"languages":{"it":{"title":true,"content":true,"excerpt":true},"en":{"title":true,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/posts\/2152","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/comments?post=2152"}],"version-history":[{"count":9,"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/posts\/2152\/revisions"}],"predecessor-version":[{"id":2337,"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/posts\/2152\/revisions\/2337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/media\/2159"}],"wp:attachment":[{"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/media?parent=2152"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/categories?post=2152"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.aapvdb.org\/en\/wp-json\/wp\/v2\/tags?post=2152"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}